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’120 Years Of Electronic Music’ is an ongoing web project initiated in 1995 by the author and musician [email protected]
Similarly in the early period of Nazi Germany (1933 onwards), Hitler’s government made moves to embrace Futurism and Modernism (for example; Marinetti’s Berlin Futurist Exhibition of 1934, Sponsored by Goebbels and the Nazi Kdf organisation and the final Berlin Bauhaus before it’s exile to the USA).
Modernism was a key component of Fascism and early National Socialism; technology was promoted as a National Socialist principle; the Volkswagen (‘Peoples Car’), Autobahn’s, Film, Mass-entertainment (Controlled through the Kdf ‘Strength through joy’ organisation) and electronic music; the first every electronic music orchestra ‘Das Orchester der Zukunft’ at the Nazi sponsored Berlin IFA in 1933.
It was proposed that a new scientific culture replace the old archaic cultural order– brought about by new electronic instruments and scientific investigations into audio and visual perception (this period is covered in some detail in Andrei Smirnov’s excellent book ‘Sounds In Z’).
The Bolshevik government, traditionalists at heart and worried at their lack of control of this anarchic movement, suppressed it replacing it with a manageable propaganda based culture of uplifting, popular socialist realism; many of the former avant-garde were murdered, imprisoned or sidelined for the rest of their lives.